I had a few options available to me - a simple 2 channel interface such as the Universal Audio Arrow, the more fully-featured Apollo X8 that is in my other room, or using Dante Virtual Soundcard came to mind. Another issue is a lack of Native/Thunderbolt support for the MTRX (and the MTRX Studio for that matter). Strange that people who’ve sworn off Avid/Pro Tools for good (and nothing Avid could do to bring them back) have taken the effort to come into an Avid hardware thread just to specifically state that. It was actually a bit more complicated than that - the Focusrite Red 16Line is a tremendously good device but it wasn’t without a few issues. EN STOCK . There’s 16 channels of LED metering available on the front panel, along with nine buttons, rotary controller, two instrument inputs and two headphone outs. Legendary focusrite sound. My disinclination to use ADAT meant that the Red 16Line was essentially a 48 channel interface and I had used up all 48 channels, and then some. Considering the term omni suggests all-in-one, which this is, I guess we could say this is what an OmniPro should have been. Axe FX III guitar modeller from MTRX Analogue Input. The UA devices are already in use elsewhere, and I didn’t fancy having to move them. Dante Virtual Soundcard was a possibility but latency is not exactly good enough (although better than the HDX Core Audio driver… which is a bit mad when you think about it). RSPE carries all the top pro audio brands for your recording studio or post production facility. James Richmond has recently taken delivery of a new Avid MTRX. I do have XLR patch bays on another studio rack, where my outboard preamps sit. The fans are a special ultra-quiet type which is also temperature-controlled. Modeled after their Red Range hardware counterparts, the Focusrite d2 and d3 plugins deliver high-quality equalization and professional dynamic control. My first sound card (as they were called back then) was an Emagic Audiowerk 8, that I had in a Pentium 133 computer. Why have a single HDX expansion vs at least the ability to hold 3? Pro Tools HD Native And HDX Hardware - Do We Still Need Them? Another workflow improvement is I can use Avid Control and my Avid Dock to control the sources. Pro Tools | Carbon™ Pro Tools | HDX™ Thunderbolt 3 MTRX Studio Bundle $3,999 USD $9,999 USD Differentiation All-in-one interface with onboard HDX DSP acceleration, Installation was relatively simple - you need to remove a great number of screws from the top, rear, sides and back of the MTRX in order to remove the top cover. I currently submix the synths down to a stereo pair but I’d like to add some more Dante inputs to be able to send those channels directly to Pro Tools without the need to submix. Customize monitor profiles with integrated speaker tuning. When I started in audio we were right on the cusp of computers being fast enough to record and playback audio, rather than just MIDI. The base model MTRX and the MTRX Studio are the same price - around £4999 but the MTRX Studio is a complete device. All this for the same price as the base MTRX. Avid Pro Tools | HDX Thunderbolt 3 Omni Rackmount System. We can’t say for sure as we don’t have any sales figures to back up our following statement but we reckon Focusrite’s Scarlett range could very well be one of the best selling audio interface ranges ever. It was never possible to monitor, for instance, Mac System sounds when I was monitoring the output from Pro Tools HDX. 5490.00 € Audient Evo 8. If expanding beyond a single HDX card, multiple sets of 64 channel IO connections can be made when adding a 2nd MTRX Studio. This is just not doable for me - so I needed a workaround. Focusrite Red 4Pre. In this article, he explains why the Avid MTRX was the interface for him and why he chose the MTRX as opposed to its new little brother the MTRX studio. It was a big change in workflow, the Red 16 Line is a great device that had a really excellent software interface, I wouldn’t have been looking for an upgrade unless I really … It also features support for Dolby Atmos, a 512x512 routing matrix and is EUCON enabled, allowing it to be a central hub for your studio including acting as a monitor controller. Product Price $4,999.00. It eliminates manual tasks and physical patching, keeping you in your creative flow—and in your seat. This was a minor factor for me anyway- all my different converters are release quality but I certainly have peace of mind knowing that the MTRX has some of the best conversion available. RSPE carries all the top pro audio brands for your recording studio or post production facility. From there I graduated to an RME Multiface and then to my first Pro Tools HD system in around 2002. The Value Of Second Hand Pro Tools HDX Cards & HD I/O Systems Are Dropping Fast - Now Could Be A Good Time To Grab An Avid Bargain, Is It Worth Recording & Mixing Your Songs At 192kHz Sample Rate? These inputs are not on the bantam bays for the same reason. In this regard, I opted for the much cheaper 64 channel Dante card (around £575), which attaches to the device mainboard, rather than using up a slot in the chassis. As many of you know, these days my main studio machine is an HP Z840 running Windows 10. After collecting the hardware from my local retailer (SX Pro, since you asked), I unpacked the MTRX, the Dante module and the 8 channel input cards. You can choose between LFHSUB to XLR or LFHSUB to Dual DB25. Route any input to any output. iv Pro Tools | MTRX Guide 12 Unplug this equipment during lightning storms or when unused for long periods of time. Looking at all the available HDX capable interfaces I decided to limit my choice to either the Avid MTRX or the relatively new MTRX Studio. I can even send the Red 16Line’s mic preamps up to the MTRX over Dante (which I intend using for talkback and VoiceOver work). Total retail for this combination of hardware is £9772, which I’m sure you will agree is pretty hefty. In addition to those, I had a few other Dante capable devices, a Focusrite X2P, a couple of Audinate AVIO converters and several computers running Dante Virtual Soundcard. The MTRX is significantly more expensive than the MTRX Studio. These inputs are fed to one of three pairs of monitors: ATC SCM45a monitors on MTRX channels AES 9-10 (via Apogee Rosetta), Kii Three monitors on MTRX channels AES 1-2. The MTRX has two fans. https://www.avid.com/products/pro-tools-mtrx-studio, Already have an account? Digital Audio Denmark (DAD) have been kind enough to loan me a pair of MOM (Monitor Operating Modules) to experiment with, allowing me to change monitor settings from a dedicated hardware unit. I don’t remember too much else about that machine but I do remember constantly having to deal with driver issues plus I do not believe it was full-duplex, meaning I couldn’t hear what was being recorded into the computer at the same time as playing audio back. Declutter your signal flow by connecting all your gear to Pro Tools | MTRX Studio. Packing Dante, DigiLink, and ADAT connectivity, MTRX Studio packs tons of functionality in a compact form factor and consolidates multiple devices in your signal chain. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is not permitted on the Gearslutz forums... we would appreciate it very much if you kept the chatter to gear-related topics. Hyödynnä MTRX:n etuja pienemmissä huoneissa asentamalla MTRX Studio suuremman MTRX-järjestelmän oheen . I currently have around 16 channels of outboard mic preamps and 16 channels of synthesisers in addition to my 32 channels of outboard and 3 sets of stereo monitors. DAD are known for making some of the best sounding converters on the planet and they do not disappoint at all. Also, because the Red 16 Line supports Dante it allows me to send its DAW outputs to the MTRX, which can be sent on to the monitors. Need a breakout cable? Pro Tools FAQs - How Much Does It Cost To Buy Pro Tools? Next was to install the two 8 channel input cards into two of the 8 available card slots. The Avid Pro Tools | MTRX Studio is a versatile, self-contained I/O, monitoring, and routing unit optimized for music and post-production facilities of all sizes. The MTRX that I had bought also required 2 x 8 channels AD at £2099 each retail plus I definitely needed a Dante card. The final issue for me was the onboard 16 channels of ADAT conversion. The similarities that the new MTRX Studio shares with the Avid Omni are striking, and the former's feature set makes it an interesting proposition for anyone who finds the options presented by software Pro Tools or Pro Tools Ultimate aren't sufficient — particularly anyone who needs their system to be Dolby Atmos-capable. If you are looking for a cost-effective DigiLink interface solution combined with a monitor controller then you can do a lot worse than buy a secondhand Avid HD Omni. Pro Tools | MTRX Studio simplifies your signal flow, providing connections to all your gear. I overhauled the studio in the middle of the year as I needed more Dante channels than the Focusrite Red 16 Line would allow. Following a press release from Avid, just as the DAD 32-channel interfaces offer, we believe the Pro Tools MTRX will … Avid Pro Tools MTRX Interface. Focusrite Universal Audio Studio RTA Yamaha PreSonus Tascam ADAM Audio Rode ... Avid Pro Tools | MTRX Studio Interface. I believe that the MTRX is MUCH more capable in this regard. So when asked by good friends and long time profes… Avid Mbox Pro VS Focusrite Scarlett 6i6 (24bit 96khz) sample conversion. In doing so, it is recommended to connect both 32-channel DigiLink ports for 64 channels and the most flexibility of bidirectional analog and digital interfacing. Focusrite 16Line at $3500 will be a direct competitor to the Avid MTRX Studio apparently at $5000. The great thing about this system is how expandable it is - I could potentially feed any of the input signals directly to the outputs for hardware monitoring. Buy Avid Pro Tools MTRX Multi-Format I/O and Monitor Controller online with the guaranteed lowest price, fast shipping and great service from RSPE Audio. Seems perfect, right? Finally, I’d like to thank Jan Lykke at DAD, Jeff Komar at Avid and Dale Chapman at SX Pro for helping me with this upgrade. It was actually a bit more complicated than that - the Focusrite Red 16Line is a tremendously good device but it wasn’t without a few issues. There hasn’t been a new Pro Tools HD interface for a while and I believe this announcement demonstrates many of Avid’s intentions moving forward. My approach is to never put anything on a bantam patch bay that can be harmed by hot patching. However, Avid announced their partnership with DAD with the Pro Tools|MTRX at the 114thAES Convention in LA in October 2016. So getting to it I have a few questions: 1. how does the mtrx studio sound in comparison to hd io, omni or focusrite 16line? Running Logic 10.5.1 with the latest HDX driver the roundtrip latency is 13.3ms, with 6.7ms on output at 48 kHz with a 64 sample buffer. I overhauled the studio in the middle of the year as I needed more Dante channels than the Focusrite Red 16 Line would allow.