Image Courtesy of National Gallery Singapore. Sign up for exclusive insights into the business of art in Asia today. These successes were followed by the groundbreaking series titled Langkawi (1976 - 1980), where he presented a combination of … That bet is now paying off: one of Malaysia’s leading modernists, Latiff Mohidin, is the subject of the Centre Pompidou’s first exhibition about Southeast Asian art held at its In-Focus Gallery. … ilham.lmstudio@gmail.com +6012 237 7211 +6019 314 7211 - whatssap only Pago-Pago Series (Siri Pago - Pago), 1966 Sale Date: October 15, 2016. It includes an entirely new section with works he made during the 1950s in Singapore. Abdul Latiff Mohidin or simply Latiff Mohidin (born 1941) is a Malaysian modernist painter, sculptor and poet. It specifically elaborates on what Ismail Zain called a “vernacular cosmopolitanism,” something that Mohidin possessed as an artist and poet. ‘Some say Pago Pago froze in America,’ he writes. ‘Latiff Mohidin: Pago Pago’ is open to the public at National Gallery Singapore from 27 March to 27 September 2020. Image courtesy of National Gallery Singapore. Latiff Mohidin (B. 2014 | Latiff Mohidin, Seascape, Recent Paintings, 2012-2014, The Opera Gallery, Singapore; Latiff Mohidin, … Malam Merah (Red Night) (1968), which features angry brushstrokes and a central subject being riven against a red background, was allegedly inspired by his experiences travelling through Northern Thailand during the Vietnam War. Drawing connections to his time in Singapore, the apt title refers to a text he wrote in the 1960s, where he speaks of a fever that followed him from Malaya to Europe and back. This metaphor can be understood as a generative force, or in Mohidin’s words, “the heat of shifting from one media to another and always trying to create something exciting.” He also refers to it as his “encounter with European Modernism and how it simultaneously clashes and fuses with Asian Modernism in Pago Pago.” To further explore this idea, visitors can listen to a speech by Malaysian artist Ismail Zain, who directly inspired the title with his line, “In my entire life, I had never known Latiff without this fever.”. This exhibition premiered at the Musée national d’art moderne, Centre Pompidou in Paris in 2018 under the title Latiff Mohidin: Pago Pago (1960–1969). Presenting a comprehensive account of his formative years, it uncovers the deep cultural and literary system within Singapore’s Kampong Glam. Details. Latiff Mohidin. Latiff Mohidin has been featured in articles for the Art Asia Pacific, the Art Review and the ArtDaily. It is also the Pago-Pago series that won Latiff Mohidin critical acclaim as one of Malaysia and Southeast Asia’s most important modern artists, … Latiff Mohidin: Pago Pago (1960–1969) features over 70 paintings, drawings, and prints, supplemented with archival documents, and situates him in dialogue with his European peers. Take the ending of the series: Latiff puts the date at 1969, the year Sino-Malay riots broke out in Kuala Lumpur, on 13 May. … Stephanie Yeap. Kehidupan awal. Latiff Mohidin (né en 1941) est un peintre et poète moderne majeur en Malaisie. During a visit to an ethnological museum in Berlin, he saw ancient artefacts from Asia and South America. One of the exhibition’s most constructive contributions is its timeline, which expounds the artist’s life, influences and significant encounters. To offer an explanation for the use of the term, Latiff remarked "I merely coined the word from an amalgam 'pagoda' and the slang 'pagar' which isn't fence but the wooden beams across old Malay houses. Comprehensive show at National Gallery Singapore By Vivyan Yeo, “you will never understandthe rising of the dawnbetween the buffaloes’ legscold and stuntedthe black waters in the rice fieldsreflects in the eyes of the old folksfor centuries”-   Excerpt from ‘You Will Never Understand’ by Latiff Mohidin. … Latiff Mohidin, Pago Pago, 1966, ink and wash on paper, 14 x 22 cm. “It was not a Eureka moment,” says Mustafa, “but a gradual process.” When seen together, the presentation of newspaper clippings, artist’s sketches and writings help visitors comprehend how living in Berlin exposed Mohidin to a broad range of new material. He is also a poet who has published several volumes of poetry. Blue Landscape, 1996 Sale Date: May 29, 2016. Latiff Mohidin (B. Lukisan ini adalah mewujudkan kesedaran bahawa betapa pentingnya … Lot Essay. Latiff lahir di Lenggeng, Negeri Sembilan, Malaysia. Latiff Mohidin, detail of a hand-drawn map of Kampong Glam. Karya yang berjudul 'Kampung I' itu dilukis pada tahun 1951 dan kemudian disertakan dalam pameran solo pertamanya dua tahun kemudian di Sekolah Melayu Kota Raja yang terletak di daerah Kampong Gelam dahulu. The phrase in its title, “Pago Pago,” was coined by the artist to evoke the consciousness that emerged through these travels. Painted in 1969 (33 1/8 x 43 1/2 in.) ‘Latiff Mohidin: Pago Pago’ will be open to the public at National Gallery Singapore from 27 March to 27 September 2020. national gallery singapore Southeast Asian art Abdul Latiff Mohidin Latiff Mohidin. Writer. He is generally known for his Pago Pago expressionist paintings produced between 1963 and 1969. It was his scholarship to study the DAAD or Deutscher Akademischer Austrauschdienst at Berlin’s Academy of Arts that pushed him to become what … Sinuous, firm and not easily recognisable, the sculpture reportedly confused critics at the time of its creation. His Pago-Pago expressionist paintings have been his signature series which have already been seen across the world. National Gallery Singapore Singapore. Pagodas II, Pago-Pago Series Latiff Mohidin 1964. Auction Closed. “Mohidin evokes the consciousness that emerged through [his travels accross Europe and Southeast Asia] with a phrase: ‘Pago Pago’, a manner of thinking and working that complicated Western modernism through the initiation of dialogues with other avant-garde thinkers in Southeast Asia”, explained Shabbir Hussain Mustafa. Latiff Mohidin. The form, which consists of familiar triangles that has been inverted and combined with one … Or they could be weird monsters. Ross Bleckner: Painting the Inexorable Nature of Change, The Hard Sci-Fi of Cixin Liu’s Cosmic Operas, Artists Explore the Social Presence of Blackness, New Life: Books to Help You Escape Lockdown Boredom, Art by stealth: a look back on the Brent Biennial, Art Lovers Movie Club: Shen Xin, ‘Provocation of a Nightingale #1’, How #ArtistSupportPledge Took the Artworld by Storm, Orange County Museum appoints new director and CEO, New curatorial initiative to honour Okwui Enwezor. Early life. Kampung I oleh Latiff Mohidin… It was seen as a compelling family of pictures in 1973, when the Balai Seni Lukis Negara (as it was then known) staged a retrospective exhibition of the artist in Kuala Lumpur, spanning about 20 years of his art. Auction Closed . 1941, MALAYSIA) ... His early series of paintings, Pago-Pago (1964 - 1969) and Mindscape (1973 - 1974) claimed critical success and added intellectual weight and substance to the painting scene in Malaysia and Southeast Asia. Searing with energy Abdul Latiff Mohidin’s Growth I (1968) is a commanding example of the artist’s work from the landmark Pago Pago period as he journeyed across Europe and Southeast Asia. Tracking the artist’s journey across Singapore, Europe and Southeast Asia, the survey positions Mohidin as a travelling artist that absorbed a multitude of influences while holding dear the memory of his home village in Negeri Sembilan. The Pago-Pago artworks are considered as one of the most important bodies of work because there is something inquisitive in these paintings – a quest to embody both the physical and spiritual aspects of Southeast Asia. By displaying a variety of paraphernalia, the NGS exhibition provides an in-depth overview of how the Pago-Pago image grew slowly throughout Mohidin’s travels. An experience I failed to have four years ago — because of transport links — was the sight of Syed Ahmad Jamal’s staring out in poster form onto the streets of Zagreb. (76 x 63.5 cm.) Part of the exhibition attempts to map Pago Pago’s evolution alongside historical events. It is also the year he went to study printmaking at Pratt Institute in New York. Siri Pago Pago - Latiff Mohidin KL Lifestyle Art Space. The historical backdrop for this exhibition is the early 1960s when Latiff Mohidin began his formal art training at the Hochschule für Bildende Künste in West Berlin. Lukisan 'Pago-pago' adalah karya Latiff Mohidin yang paling sinonim dengan dirinyasebagai penggiat seni lukisan ekspresionisme. His early poststudent works, such as Karam (Shipwreck, 1964), showing the capsized bows of tongkangs sticking out of the water like horns, demonstrate his predilection for curved shapes. Besides the art, another pleasure of the show is encountering Latiff’s writing, abstracted and printed on the wall texts, not least for its insights into his paintings. Pengkarya : Abdul Latiff Mohidin Tajuk : Pago Pago Tahun : 1964 Media : Cat Minyak... Tema : Gambaran alam metafora Gaya : Pelukis melukis dengan gaya ekspresionis bentuk- bentuk organik 'biomifik'.Bentuk - bentuk ini sukar ditafsirkan Pago Pago (1960-1969)» is an extension of the innovative project «Re-framing Modernism: Painting from Southeast Asia, Europe and Beyond», co-produced with the Centre Pompidou and presented at the National Gallery Singapore in 2016, with a crossover approach to modern creation in Europe and Southeast Asia. Pagoda II, Pago Pago Series, 1964, Oil on canvas, 100 x 102.5 cm Featuring more than 80 art pieces which includes writings, photographs and short films by Malaysian artist Latiff Mohidin, … KUALA LUMPUR: It is often a challenge to put a value to art, but artists such as Abdul Latiff Mohidin have proven that Malaysian artworks are able to fetch high prices. By continuing to use our site, you accept our use of cookies, revised Privacy. View Latiff Mohidin’s artworks on artnet. She has a soft spot for the visual and literary arts and can be found at the latest exhibition openings. Latiff Mohidin: Pago Pago (1960-1969) runs at Centre Pompidou until May 28. Latiff Mohidin: Pago Pago (1960-1969) traces a formative period in the artist’s practice during the 1960s as he journeyed across Europe and Southeast Asia. It was composed after he saw Bavarian farmers ploughing with tractors and he speaks of a real sense of tension that exists between people of different cultures. The focus? Mohidin could speak German, English and Bahasa Melayu while understanding French and Italian. Most notably, it features Mohidin’s hand-drawn map of Kampong Glam as he experienced it, which he produced specially for this show. He dropped the ‘den’. With works created between 1949 and the early 1970s, the presentation narrates the evolution of Mohidin’s renowned Pago-Pago imagery, which is distinguished by its biomorphic forms and pointed shapes resembling fishing boats, shells and stupa-pagodas. From the series “Pago Pago,” 1960–69. Latiff was born in Lenggeng, Negeri Sembilan, Malaysia and received his formal primary education at Kota Raja Malay School in Singapore. Print works of Latiff Mohidin were executed during a particular period in Latiff Mohidin;s practice where he had access to the printmaking studio at the Atelier La Courrier in Paris and the Pratt Institute in New York. Abdul Latiff Mohidin, atau dikenal luas sebagai Latiff Mohidin (lahir 1941) adalah seorang pelukis beraliran modernis, pematung, penulis, dan penyair Malaysia.Ia terkenal karena karya-karyanya yang dihimpun di bawah aliran "Pago Pago" di antara tahun 1964 hingga 1968. Early life. But the word ‘local’ is insufficient here because Latiff travelled so much.” With this in mind, the NGS survey paints Mohidin in a new light by elaborating on a nuanced set of sources from which the Pago-Pago image was derived. What strikes me more forcefully about Pago Pago is that it is a sustained feat of self-fashioning. “This exhibition will explore all sorts of … Posted 16th … Latiff Mohidin : Pago Pago (1960-1969). Her plays have been presented in Singapore and London by Teater Ekamatra, The Necessary Stage and Bhumi Collective. Artist performance. This includes personalizing content. 2012-2013 |Pameran 60 Tahun Latiff Mohidin Retrospective Exhibition, National Art Gallery, Kuala Lumpur. Abdul Latiff Mohidin or simply Latiff Mohidin (born 1941) is a Malaysian modernist painter, sculptor and poet. There he was exposed to art movements like Cubism and Futurism, which imprinted on his paintings a bold, flat and graphic style. 1994 | Pago-pago to Gelombang, 40 years of Latiff Mohidin, Singapore Art Museum, Singapore. Recognised as one of the key modernist artist of South-east Asia, Latiff Mohidin’s contribution to global modernism unfortunately remains understudied. The Pago Pago series, created between 1960 and 1969. London: Allen and Unwin. The middle and the late 60s were the times when Latiff was developing his first series of thematic works namely the Pago-Pago series. Pago Pago (1960-1969) est conçue comme une micro-histoire qui replace l’un des principaux modernistes d’Asie du Sud-Est dans un dialogue avec ses pairs occidentaux. Latiff Mohidin’s Pago Pago series was hailed as unique and exemplary the moment it appeared in public. This consisted of Western paintings, Dadaist artwork, and Khmer artefacts, the last of which inspired his visual use of horns and serrated edges in his portrayal of boats and figures in Berlin. PROGRAM-PROGRAM PAMERAN. Latiff Mohidin, ‘PROVOKE’, 1965, acrylic on board, 90 x 120 cm. Pago-Pago – titre d’une série d’œuvres célèbres – est une formule inventée qui évoque la conscience née de ces voyages. Because of its high level of detail, however, many visitors might choose not to read the timeline in its entirety. Kunjungannya ke Thailand dan Laos, tegasnya Indo-China, bagi saya adalah tuah mencurah-curah. Latiff Mohidin, Pago Pago, is on view at National Gallery Singapore until 27 September 2020. 1994 – Pago-pago to Gelombang, 40 years of Latiff Mohidin, Singapore Art Museum, Singapore 2012-2013 – Pameran 60 Tahun Latiff Mohidin Retrospective Exhibition, National Art Gallery, Kuala Lumpur 2014 Latiff Mohidin, Seascape, Recent Paintings, 2012-2014, The Opera Gallery, Singapore 1938) Pago-Pago signed and dated 'Abdul Latiff 1969' (on the reverse) oil on canvas 84 x 110.5 cm. ‘Latiff Mohidin: Pago Pago’ will be open to the public at National Gallery Singapore from 27 March to 27 September 2020. national gallery singapore Southeast Asian art Abdul Latiff Mohidin Latiff Mohidin. PROVOKE (1965) depicts a confrontation between three totems. The Latiff Mohidin: Pago Pago exhibition gives you a glimpse into the life and practice of Malaysian modernist painter and poet Latiff Mohidin, … We use cookies to understand how you use our site and to improve your experience. Karya Latiff Mohidin akan dipamerkan di Paris, beri peluang saksikan lukisan antara pelukis terpenting Asia Tenggara Matriliny and migration : Evolving Minangkabau traditions in Indonesia. Karya ini dianggap istimewa kerana siri tersebut dianggap sebagai lukisan jiwa dan mata hatinya. Latiff mula terkenal menerusi lukisan berasaskan pagoda, hingga nama jolokannya dalam kalangan seniman ialah Latif Pago-Pago. Image courtesy of National Gallery Singapore. “I felt that the map ought to illuminate the sense of joy I felt as a little boy growing up in the area.” This map, as well as an accompanying text soon to be published by NGS, provide vibrant clues as to how he came to know prominent poets and artists such as Abdul Ghani Hamid and Suri Mohyani. No doubt, the ‘SEA modernism’ angle on Pago Pago is a worthy one, but it is not the only story to be told. Ayahnya adalah seorang perantau dari Tiku, Sumatera Barat. Durkheim, E. (1976). Generally, the works before 1965 include more recognisable totemic structures. Having missed out on that one, I was determined to see a similarly intense-looking but more youthful poster of Latiff Mohidin staring down on the people of Paris. https://www.nationalgallery.sg/see-do/programme-detail/234334908/latiff-mohidin-pago-pago. Ia adalah lanjutan daripada pameran Reframing Modernism: Painting from Southeast Asia, Europe and Beyond oleh Galeri Nasional Singapura pada 2016 yang bertujuan mempromosikan karya seni Asia Tenggara ke peringkat global. As for the repeated ‘pago’, his Minangkabau roots come into play: the traditional houses of this community in West Sumatra are adorned with carvings called pagar pagar, pronounced as ‘pago pago’. Pameran bertajuk 'Latiff Mohidin: Pago Pago' itu menampilkan lebih 80 karya seni beliau, termasuk sebuah karya yang dilukis pada usia 10 tahun. Generally, the works before 1965 include more recognisable totemic structures. But I knew something else was emerging.’ The last painting in the show, Untitled (Neo Pago Pago) (1971), can be read as a transition work. Image Courtesy of National Gallery Singapore. Latiff Mohidin comes from Negeri Sembilan in Lenggeng but he actually started his education in Singapore. The other God’s own creation, ever spreading, establishing, sinking deep into the ground (looking for water).’ This war between the up and down, civilisation and nature, can be seen in his sketches of the Angkor temples, but they also reflect a general quality in his Pago Pago paintings: their lively sense of movement and an interplay between the manmade and the organic. Title: Pagodas II, Pago-Pago Series; Creator: Latiff Mohidin; Date: 1964; Physical Dimensions: w99.2 x h99.4 cm; Type: Oil on canvas; Get the app . PAMERAN / Latiff Mohidin Latiff Mohidin: Pago Pago (1960 - 1969) 12 Ogos – 30 Disember 2018, Aras 5. It was seen as a compelling family of pictures in 1973, when the Balai Seni Lukis Negara (as it was then known) staged a retrospective exhibition of the artist in Kuala Lumpur, spanning about 20 years of his art. Like many artists from the region, Latiff Mohidin created a series that was moulded through his complex interactions with a multiplicity of cultures. ‘Pago Pago’ is a term coined by Malaysian artist-poet Latiff Mohidin during the late 1950s to describe the cosmopolitan yet regionally rooted spirit with which he made art. An experience I failed to have four years ago — because of transport links — was the sight of Syed Ahmad Jamal’s staring out in poster form onto the streets of Zagreb. The palette of sand, red and turquoise is warm and sun-drenched – the effect of light from a different place. «Latiff Mohidin. Pago Pago is less a neatly conceived series than a snowballing of ideas and experiences of a young man moving through the world, and a project driven by an eccentric but compelling personal philosophy, as evidenced by the selection of Latiff’s writing on display. Well-established in the canons of Southeast Asian modern painting and Malay literature, the artist was dubbed ‘boy-wonder’ after his first solo exhibition at the age of ten. He currently resides in Penang, where his home and studio are located. It positions Pago Pago as a Southeast Asian brand of modernism, described by the curators as ‘a way of thinking and working that sought to challenge the dominance of Western modernism at that time’. Forms of the key modernist artist of South-east Asia, Latiff Mohidin wrote the ‘. Sabapathy ; Singapore Art Museum. Mohidin could speak German, English and Bahasa Melayu while French! 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